Beginner's Novel Writing Tips by The Novel Factory: novel locations

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Here are a bunch of quick ideas to help you beat that creativity killer – writer’s block…

Take a walk

Much more effective than you might think. It's not simply about a time out. Fresh air invigorates your brain and the muscle movement releases chemicals into the bloodstream. Also, new visual stimulus will get your synapses crackling.

Freewriting

For ten minutes write non-stop… anything at all. Seriously, anything. Even if it's just the same word over and over and over again. Misspellings, sense, we care not for these things!

Work on some notes instead

Less pressure, fun, and a good chance it will kick start some prose writing.

Listen to some music

Engage another part of your brain to kickstart creativity.

Make a pointless rule and write to it

Such as: you can't use the letter e more than once per sentence or each sentence must have an even number of words. Limits create focus and change your perspective.

Read the papers

Great for ideas that nobody will ever believe are true.

Write a rant

Who really got up your nose this week? What would you say to them if you could? Get those juices flowing, let the emotion pour out onto the paper.

Explain your dilemma to a teddy bear

If you can't think how to proceed, explain your problem to a soft toy. The process of formulating the problem out loud is often enough to let you see the solution.

Create a strict schedule

With short periods dedicated to writing. For example, write for ten minutes, then water the plants, then write for fifteen minutes, then hang the laundry, then write for ten minutes, then do the dishes. Stick to it. That means when it says to stop as well, even if you're in a flow. Having very short time periods can help you focus and stop you thinking you’re going to write a whole novel at one sitting.

Don't obsess when you're drafting

Are you in a draft stage and worrying about word and sentence level? What on earth for? Haven't you heard of editing? Just get it down any old how and the polishing will come later.

The 20/5 technique

Get yourself an egg timer, set it for twenty minutes, put it on the table and get as much done as you can in that time. When it goes off, your fingers must leave the keyword (or paper and quill or whatever). Set it for five minutes and do something else for that time. Relieve yourself, stare out the window, play with the puppy, learn a few words of Spanish, whatever. Then repeat.

Set a small, achievable goal

Finishing the novel is not going to cut it. Finishing the paragraph, the page, or at most the first draft of the chapter, is a fine catalyst.

Use a photo

Describe all the details of the photo.

Hopefully you’ll find something there to get you going!

And if you want help writing a whole novel then you should check out our novel writing software.

It is a ‘feature’ of western society that we tend to value analytical thinking more highly than creative thinking. Thus, subjects like maths and science and considered more ‘proper’ subjects than things like art and drama. Children are told to get practical qualifications, because everybody knows, artists can’t make a living.

The sad effect of this is that while our analytical processes get a good work out, our creative capabilities are often neglected, but creative skills can be learned and developed just as much as logical ones.

The more you work your creative muscles, the stronger they will become and the more easily stunning metaphors and incisive descriptions will ‘spring to mind’.

Try this exercise to give your creative brain a bit of a stretch:

Make a list of concrete nouns. Nouns are things, words that you can generally put ‘a’ or ‘the’ in front of, and concrete nouns are visible, solid things that you can usually touch. Some example of concrete nouns are:

write

For example:

Life is like computers. Completely unfathomable, with so much going on under the surface you have no hope of ever understanding the complexity. Sometimes life does what you want, but sometimes it just refuses, for no apparent reason at all. Life can be entertaining and informative, but it can also make us want to tear our hair out.

Or

Death is like aspirin. It’s tucked away out of sight and easy to ignore. But when our health is threatened it comes to the fore, fizzing in our brains, dissolving into an invisible, pervasive mist. We have no choice but to swallow it.

Think you can do better? Post your remote associations in the comments!

Credit to The Five Minute Writer by Margaret Geraghty for the inspiration for this post – if you liked it, you should buy her book.

If you enjoyed this post, then you should probably check out the Novel Factory.

Pace is a really important aspect of a good novel, and you need to have the skills to put on the brakes or put the pedal to the metal, as appropriate.

In this article we’re going to have a look at slowing the pace in your novel, but you might also want to see Head Scenes and Tail Scenes, which is highly relevant to this topic.

Why would you want to slow the pace in your novel?

You might think that slowing down the pace sounds like a bad idea – slow = boring, right? Well, it’s not quite as simple as that. Here are some reasons you might want to slow it down.

Contrast

Interest comes from contrast – if you ate Peking Duck every day, then plain toast would seem like an exotic alternative eventually. In music, songs have alternate slow and fast sections to emphasise each one – three fast sections in a row have nowhere near as much impact as a fast section sandwiched inbetween two slow ones.

Time to take a breather

If your novel is high octane, fast-paced relentlessly, all the way through, then readers will get excitement fatigue and will either feel too exhausted to keep reading or will simply shut off and become desensitized to the action, no matter how highly it escalates. By having slower, calm wind downs inbetween the action, you give them (and your protagonist) a chance to regroup, straighten out, then hunker down for the next conflict.

Atmosphere, tension and suspense

By slowing down the tension you can add layers of atmosphere, tension and suspense. Readers will be on the edge of their seat as you keep them hanging, knowing something is going to happen… any… minute…

Okay, so how do we control pace in a novel?

Length

This is the most subtle way to slow pace without interrupting the story. Simple things such as longer sentences with sub-clauses, and longer paragraphs, all serve to make the pace more leisurely.

Character Introspection

While the character is lost in reverie, there isn’t much action happening, and it gives an opportunity for reflection and consideration of how to proceed, ensuring the reader believes the character is behaving realistically (by which we mean in character, not necessarily sensibly), as they understand the motivations.

Flashbacks

New writers often play fast and loose with flashbacks, thinking it’s a great way to get in backstory or explain the motivations of their characters. But flashbacks should be handled with care, as they completely shatter the forward momentum of the story. Used carefully, they can help with controlling pace, but beware of throwing your reader out of your story-world, when you’ve just spent however long getting them immersed.

If you enjoyed this post, then you should probably check out the Novel Factory.

All stories need conflict – it is their life blood. Without conflict, you have no story, full stop.

Before we go on, it’s important to note that conflict isn’t the same as challenge, such as a big fist fight. A serious lifetime addict not having a cigarette when pregnant is more of a conflict than a martial arts expert beating up twenty baddies.

In this article we’re going to explore four potential areas of conflict: Inner, relationship, organisation and external.

Inner Conflict

Based on the conflicting desires of the protagonist.

For example, Annette wants revenge for her brother’s murder, but the murderer is her own father, who takes care of her vulnerable mother. The conflict comes between the desire for revenge / the familial love for her father / the wish to protect her mother.

The protagonist ostensibly has full control over inner conflict as it is solely up to them to make the decision.

Relationship Conflict

Based on the opposing desires of individual characters.

For example, Betty wants to go out with Carl, but Carl fancies Darren, and Darren wants to marry Annette to get hold of her mother’s fortune.

The protagonist has some control over relationship conflict, though how much depends on their situation and strength of character.

Organisation Conflict

Based on the conflict with organisations in the wider world. A common one is the police or EvilCorp, but it could be a school, boss, publisher etc. It’s usually characterised by a David and Goliath type relationship, and ruthless, faceless opponent.

For example, Emma wants to publicise the fact that EvilCorp is dumping poisoness waste in the water and the local children are being afflicted with horrible diseases that the parents can’t afford to treat and EvilCorp puts publicity, lawyers and hardmen in her way.

The protagonist has a small amount of control over how they can navigate the towering obstacles thrown in their path and force the hand of the organisation.

External Conflict

Based on conflict with random, uncontrollable factors. Such as weather, freak natural phenomenon,

computer malfunction, accidents etc. These are usually better used as incidental factors or to assist with initial story set up, rather than as main story conflicts, because there is so little control, it can feel a bit hopeless or arbitrary – and it’s hard to get real passionate hate for a mindless things that have no emotions or desires themselves.

For example, Freddy wants to get to the hospital where his wife is having his baby, when a freak snowstorm closes all the roads.

The protagonist has no control over how external conflicts play out.

Summary of conflict

Now you’ve read about four different areas of conflict, think about how you use them in your story. Are they all present? Could you make your story stronger by introducing more of them?

For more articles about creative writing and novel writing, visit The Novel Factory website.

Descriptions of locations and settings in novels vary from broad strokes which suggest you fill in the rest yourself, to the nauseating detail. How much you describe your character's surroundings will depend on your preference and style, but either way it needs to be a conscious decision. As an author, you need to know all about your locations, including where the furniture is placed and how it smells.

Locations interface in our novel writing software

You can use novel writing software to guide you through the development of locations and keep all your notes in order, or you can just keep the info loose. If you're really lucky, you may even be able to keep it all in your head.

Here are a few pointers to help you get started:

1.Start with just a name and brief description of the place, brainstorming and noting down anything that comes to mind.

2. Go into a bit more detail, and deliberately make note on sights, sounds, smells, tastes and things your characters might be able to feel (with their hands, feet, cheeks, whatever).

3. Find some pictures that are close to what you envision for your location. The real world is always far more detailed than anything we can ever come up with in a single brain, so the images you find are likely to add rich detail to your location.

4. Make sure thre description of the location fits the atmosphere of the story. It should add to the mood with everything that's mentioned,not mentioned, and how it's mentioned.

5. If the location appears more than once, then think about how it changes. Describing it in a differnt way is a great way to show change and passing of time in your story and to reflect and complement your character's development.

If you're writing a novel and found this article useful, you might want to take a look at our novel writing software. It's completely free to try for 30 days. Click here to visit the novel writing software website and find out more.

Block Busting – beating writer’s block