Novelists often moan and groan when it comes to writing a
synopsis, and complain that their masterpiece can’t be whittled down to a
single page. Well, it’s time to get over it, because if you want any agents or
publishers to look at your work, you’re going to need to write a decent
synopsis.
If you used The Novel Factory to plan and write your novel, then you’re already halfway there. But if you didn’t, here are a few
important pointers when writing your synopsis:
Don’t rush it
It’s tempting to think that it’s only a single page, it’s
not as important as the novel, so you can just dash something off and be done
with it. But this is really shooting yourself in the foot, because if the
synopsis isn’t up to scratch, then nobody’s ever going to see the full novel.
Distilling an entire novel into a single page is an
extremely difficult task, and should be given the attention and effort it
requires. It’s much harder to be concise than it is to waffle, and often
writing a synopsis is an excellent exercise for writers who are sloppily wordy.
Include emotion
Many novelists make the mistake of writing the synopsis in a
very dry, this happened, then that happened manner. This is a mistake, because
what draws readers into a book is emotion (yes, even in spy action novels!) and
leaving inner turmoil out of the synopsis will give the impression of a flat
novel. The synopsis should include the key emotional struggles the protagonist
goes though, the major relationships between the key players and how they
change by the end of the story.
Don’t try to include everything
This is probably the most common pitfall. You may feel that
all the details, characters and events are important and fascinating, but the
core story arc of your novel needs to stand up on its own, without the
sub-plots and all the twists and turns. Every single word and point has to
justify its inclusion in the synopsis – if you’re not sure whether it’s
critical to the core plot and relationships between the main characters – leave
it out.
Do include the end
Novelists might be reluctant to give away the end of the
novel feeling that it will ruin the book for the agent before they’ve read it.
But a synopsis without the end is incomplete and will not serve its purpose.
The agent wants to be sure that they’re not going to invest the time reading
the book only for it to have a spectacularly poorly thought out conclusion,
such as aliens, an act of god, or ‘it was all a dream’.
The Novel Factory is novel writing software which
helps you write your novel, and practically writes your synopsis for you (sort
of). Why not have a free trial? Go to the www.novel-software.com.
If you enjoyed this article, you might want to check out our
novel writing resource bank? We have articles on everything from the hero’s journey to beating writer’s block to a step by step guide to writing a novel.
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